Le Reve at Wynn Las Vegas

Videos Working Again – YouTube Pain Update

Boy, what days. I was working on getting two years worth of videos up again and the links and embedded players on my site fixed.

Well, over 150 videos from over 2 years, not a task that you could consider to be a light and easy one.

To learn about the reasons why I had to do all the changes, check out my original post first and then my post at SearchEngineJournal.com, where I complained about YouTube and how they handle things.


I never heard a word back from them... nada, nothing, nichts, nitschevo. I am still very mad at them, especially, because they never even bothered to let me know why they did it. They simply blocked the account, all videos became inaccessible. No access to video comments, messages, subscribers, nothing.

I found out that I can access my play lists, if I know the URL. I can only access videos in those lists that are not from my account though. I also found something in the YouTube "account" section of my other YouTube accounts that I have not seen before. It is a page called "Account Warnings" where it says for my other accounts: "Your account is in good standing."

I wonder if there was anything different in my primary YouTube account. I cannot recall that I ever received a notice about any messages or notes that would be considered "Account Warnings". I am pretty sure that they suspended my account without prior warning so I question the usefulness of this feature.

It is a farce and I cannot do anything against this from a legal point of view. YouTube's Terms and Conditions state

"YouTube may remove such User Submissions and/or terminate a User's access for uploading such material in violation of these Terms of Service at any time, without prior notice and at its sole discretion."

Short: We do what we want with your account and delete anything were we do not like the smell of it. The smell does not have to be "copyright infringement".

This statement in their terms and conditions (which you have to agree on, when you create a YouTube account) should be reason enough for any professional to consider, if they really want to use such a service for their business purposes. I certainly would not. I learned my lesson to diversify, duplicate and consider any account and content published their "throw away" and "replicable", like a Hotmail.com email account.

Having local backups of any content is of key relevance to this, Also the saving of URLs and IDs of the videos itself for example. Perform a backup of subscriber names and comments (if they are important) on a regular basis.

Regarding subscribers, I had email notification enabled for everything at my YouTube account and kept all email notifications of new subscribers. I have already created a list and now need to contact them to let them know about my alternative accounts.

I also found the following statement, which I also mentioned in my blog post at SearchEngineJournal.com. It states:

"Users with suspended or terminated accounts are prohibited from creating new accounts or accessing YouTube’s community features."

Well, I had two other accounts already before this incident. I created one new one and plan to open another one to avoid putting all eggs into one basket and also keep the subject of the individual channels/accounts clean and separate. I don't know what I did wrong to justify the suspension of my account and do not feel as if I did anything wrong. As I mentioned, I already had two of the accounts already, before my main account was suspended. One, the sacreleases account even had (and has) more videos than my primary account.

I decided to take my chances and ignore this statement. It is as general and card Blanche as their other statement in their Terms of Use.

So now I have my old account "sacreleases" for everything related to BBS, ANSI/ASCII art, Demo Scene etc. I use this account (which I also created prior the suspension) for everything related to society, politics and that sort of things. I created the new account CirqueDuSoleilGuru for all the Cirque du Soleil and Performing Arts related content. I spent hours to get 80+ videos up at the account as quickly as possible. It went pretty smooth after a long preparation time before hand. The channel got a lot of traffic as a result of this and I made it yesterday even to spot 32. In the YouTube Top 100 "GURU" channels by number of views. Not bad eh?


I also got 12 subscribers to the channel within less than 48 hours.

I want to open a forth account for everything related to marketing, SEO and that sort of stuff, but there is no rush and I have way too much to do at the moment to do it right.

Some other things that I noticed in regards to YouTube that also raised some questions in my head are things like: What happens to the groups that I created with my suspended account? They are still working and show my old account as the group creator and administrator, but I cannot use that account anymore to administer the group. Mhh?

I created the group Cirque Fans and Warez Scene. They are now without a "leader" and manager.

p.s. Depeche Mode did also not respond to my mail that I sent them via MySpace, as expected. I mentioned that already at my journal at deviantART.com and can only repeat what I stated there.

"Be careful who you praise and support, they might not worth it."

Last but not least. If you should notice any reference, link, embedded player etc. on my site that refers to a video that is not available anymore, please let me know about it. You can send me a quick note via the contact form here, quick and anonymously, if you want to (just use a throw away email address or a fake one, if feel like it). Don't do that of course, if you want me to respond to your message hehe.

Cheers!
Carsten aka Roy/SAC

Labels: ,

Time Travel to the Era of the BBS and ANSI Animation

I am sorry for all the dead videos at my blog at the moment, but as I mentioned in my last post, my primary YouTube account is currently in status "suspended". I tried to contact YouTube several times via email and fax (yeah, that machine that sends paper over the phone wires). I also tried to call them, but if you do not know the extension of the person you want to reach then you got stuck in an automated computer menu jungle or the system hangs up on you.

I complained about this horrible support at one of the business blogs I write for and home that I will hear something from YouTube within this year or so. I have not given up my account yet. I probably lost the hundreds of subscribers, but I hope for YouTube that my 160+ videos are still okay.

I still have my other YouTube account with the user name "sacreleases" where I upload demos, intros and cracktro videos recordings and ANSI animations or ASCIImations. That account has over 200 videos available for watching. In the case that you did not notice, but I made the first 199 videos accessible from the RoySAC.com homepage via a YouTube JavaScript widget.

One Video that I uploaded last night was the ANSI animation by Jed and Tracer of ACiD Productions for the BBS "The Bog" from around 1992. I added audio to it, just for the fun of it and to support the visual images. I did a voiceover for an ANSI animation earlier, if you remember, for the BBS "Korova Milkbar" and the animation Blade Runner of ACiD did for it.

Here is the video of the new ANSI animation with voiceover for "The Bog".



Backup Link to Video at YouTube.com.

I also expanded the page about my old BBS, Closed Society, because I stumbled over an old partial backup of the PCBoard installation and tried to make it run, just to see, if that is possible. To my amazement was this actually possible and I was able to get one node up. I captured a browsing session and made a video out of it. The file listings were broke unfortunately so I could not show how they looked like with the file_id.diz content nicely added to the file descriptions and the "FS" PPE by PWA in action to highlight, view and mark files for download.

I added some more gimmick to the video capture and some sound. For whatever stupid reason did most video sharing websites messed up the sound. I tried 50,000 things to get it right, but none worked. The funny thing is that I have videos with the same sounds that work perfectly fine. It's a miracle to me and beyond comprehension.

Luckily for you and me did at least one video sharing website get it right and that's the one that I used for the embedded video version that now follows.


Time Travel to the Era of the BBS V3


I hope you enjoyed the short trip back in time. Stop sobbing! It is over, live with it! We all have to, including myself. However, it was still nice to forget about the hard facts and truth for a couple minutes.

Btw. If you like the video and would like to have/see it in nice and clear 640x480 pixels resolution, I have good news for you. I put the video in AVI file format up on Mediafire.com for free download. It is about 67 MB in size. Here is the link.

Enjoy and Cheers!

Carsten aka Roy/SAC

Labels: , ,

YouTube, Depeche Mode and Infringement of Crap

I am really mad! Things get worse more and more. I still did not have the time to write my planned article about the current issues with the existing copyright laws and their inadequacy for the real social web world of today.

I am staring since Saturday at a suspended YouTube account of mine (my main one at YouTube.com/CarstensVlog). I cannot log-in to the account to check messages etc. and all of my 160+ videos under the account are not accessible.


The "nice" thing is that YouTube did not even bother to send me a notification about this. They just suspended the account. I wrote them an Email and also sent a fax asking why my account was suspended and that they enable it again. I got a few hours earlier an email from YouTube about the removal of one of my videos due to infringing the copyright of Depeche Mode. I had six Depeche Mode videos uploaded under my account, five of them were the different music video and live versions of my favorite DM song "Never Let Me down Again". The Sixth song was the 1988 live version of "Everything Counts" at the Rose bowl in Pasadena. They were all added to my account about 9 months ago.

One of the DM videos was already taken down in March (3 months ago) where I asked YouTube who exactly claimed the copyright and requested to take the video down. I also asked to get a copy of the 72 user comments the video had acquired that I can send it to the band and ask them, if this is what they consider infringement of their copyright and harming their record, video or concert ticket sales?

YouTube was not willing (or able, or both) to provide me with those comments.

And now also the take-down of the second video and to top it all off, the suspension of my YouTube.com account. Are all my videos infringing copyrights? "No" and "Jain". The "Jain" could be made a "Yes" technically, but if a TV station grabs a promo video of somebody and airs it without asking for permission, that somebody is very unlikely to sue the TV station for copyright infringement... more of the opposite would be true, that somebody would probably be thrilled and happy. It's like writing a press release and a newspaper actually picks it up and publishes it. I am surprised that marketing material (which is intended to expose as much people as possible to) is not automatically treated like a press release, but I am not a lawyer to be able to answer that question.

Guess what, YouTube, who is quick to take crap down without checking is always slow when it comes to responding to the inquiries and communication of the content publisher. This is not the first time. YouTube took down in the past a video from a different YouTube account of mine on behalf of a company who did not own any rights on the video at all. The video recording of the MS DOS PC demo was released under what we call today "creative commons", but without using the legal gibberish. Back when it was released, creative commons did not yet exist as far as I know. In that case YouTube did also not bother to respond to or put the video back up. I re-uploaded it again with a nasty message to the ownership-thief to check first that you really own anything about a video before you claim it to be your own.

I am also mad at Depeche Mode, who I expected to know better than this.I used to be a MySpace friend of the band and sent them a long message via the MySpace mail system yesterday. They have probably their henchmen reading the messages for them and give a crap about the rant and unhappiness of a 22 years long fan of the band. At least Ronan from VNV Nation is reading and responding to his messages personally. I also talked to Ronan and Mark from VNV about copyright stuff and they are much more realistic and relaxed about this.

I will now post my message to Depeche Mode that I sent yesterday at MySpace, before I removed myself from their MySpace Friends list.

Subject: Disappointed and Pissed off, thank you and well done

I made all video versions of my favorite song of yours "Never let me down again" available on YouTube in shitty 320x240 resolution. I took it from ALL your concert and singles DVDs that I own. I also added some personal comments and details to the description to express my support and love for you.

The videos attracted many comments and multiple discussions and sharing of memories and experiences. Really good and heartwarming stuff.

On April 25, 2008 was the first video taken down, the 1987 singles version, after being up for over 6 months and attracting 72 comments (real comments, no junk and no spam). YouTube stated that "Depeche Mode" was claiming the material being infringing.

I am sure that you never looked at the published video yourself. I even doubt that your henchmen look at the stuff and simply filtered videos by name.

Yesterday was the live version from 2005 taken down (Touring the Angel, Live in Milan). That is not all, my account at YouTube was suspended yesterday too, My account with over 160+ videos and only 6 of those were Depeche Mode videos. Now all of my videos are inaccessible. I did not get an email about the suspension. The last email that I got was the info that "Depeche Mode" claimed that the video (Never Let me down again, Live 2005) is infringing and taken down.

This is f(self-censored)king* great!!!

*I don't use the "f" word lightly; it’s the second time within the past 12 months actually. The last time before now was when I got my Green Card after living for over 7 years in the United States, with a short break, where I was forced to leave the country, because I ran out of a visa because it reached and exceeded its maximum lifespan... I wanted to let you know this to put things into the right perspective.

What do you think was happening to your content? Do you seriously believe that you lost any album sales, let alone concert ticket sales as a result of the fan postings of low resolution videos of a song of yours on a video sharing site?

Looking at the responses and comments, I'd say it did the opposite. You probably had album, video and ticket sales as a result of this. I was asked to post other songs and versions of your music. I only did it for one song, the Everything Counts version of 101. I declined the other requests and responded with the info which DVD the song is on and where to get it.

I cannot believe it that I was a fan of yours since 1986 when I was still living in East Germany and thought that it will be the end of the world, because I could not get a ticket to your one concert in East Berlin in 1987 (at the Werner Seelenbinder Halle) and believed that I would never be able to see you live. Well, fortunately for me the Berlin Wall did come down 2 years later. Who’d known? A friend of mine spent the equivalent of over 4 months salary of an average East German worker to buy off a ticket from one of the guys who got a ticket. My friend was 14 t that time, I was 13. The tickets to that concert were not sold. They were given for the most part to schools and they gave it to "exemplary" good students (Depeche Mode fan or not). Most of your real fans never had a chance to get a ticket. They had to buy it off from the "good" students for small fortunes. Not many had that kind of money, I certainly didn't even own 4 months of salary of an adult at that time.

What I have (and still have, shipped from Germany to California) is the original and only published Vinyl record with Depeche Mode songs in East Germany by "Amiga". You have no idea how hard it was to get that.

But all that is now past and you could file it under teenage stupidity or whatever you want. I am now thinking about throwing away all my Cd's and DVDs and even that damn Amiga Vinyl record of yours, considering your attitude towards your fans who do nothing more than evangelize your music and promote your albums, videos and concerts by publishing low quality version of your music and concert videos.

Good Job.

I will now remove you from my MySpace friends; however, I always had an open profile that allows messages to be sent to me, even if you are not a friend of mine.

It does probably also not matter, because I don't think that any of you even bother to read your own emails and have just another henchman do it for you and file this message under "rants"... done, thank you very much. We appreciate your damn money and business, but give a crap about you and your stupid personal problems with us.

Bye
a former Depeche Mode Fan.
1986 (starting with "A Question of Time") to 2008 (ending with infringing on your shit)


So... that was that. Now I still have to battle with YouTube to get my account back up again. That I am not just full of s... and make up an issue where there isn't one can be seen, if you have a look what else is going on at YouTube and other social media sharing sites. The Prince vs. Radiohead incident for example speaks volumes, all by itself.

I will not go further into details with this post. There is a lot more to say and to point out to make you understand the whole extend of this problem. I got to start working on my post, dang it. :)

There is only one last thing that I would like to mention. The purpose of the Copyright law is to protect content producers from rip-offs and not getting paid for their work appropriately when they should. It also prevents the commercial exploit of somebody’s intellectual and creative property, leaving the creator out of it. The law does not exist to be self serving. If a law is either not sufficient to do what it was created for or if it harms somebody else or does not cover relevant scenarios that are becoming norm and not exception, then a change of that laws become necessary or they will create more and more harm and less and less good.


Carsten aka Roy/SAC

Labels: , ,

From Cirque over Hoola Hoops to Dytec PC

If you think that I did not write and do much at my blog then you are mistaken. Instead of writing some new posts I did update some existing ones instead.

My Cirque du Soleil Primer was extensively expanded for example. I did learn a lot about the Cirque during the past few weeks and had contact with several people like me who are Cirque du Soleil fans like me (some even more crazy than I am, can you believe that?! :) )

I submit the primer to Digg.com myself, which is never such a splendit idea, but I thought "what the heck." and just did it. Nobody else seems to agree with me that it is actually great content. I hope that I am not wrong about this and would appreciate, if you could show me, if you like it by adding a comment to this post or at the primer itself and/or Digg the Primer post, if you have a Digg.com user account.

Cirque du Soleil Primer


I also worked on more video content. I don't write a post here at my blog for every video that I upload to my two YouTube accounts and elsewhere on the Internet. Here you only get some of the highlights :).

If you like what I publish, I suggest to subscribe to my channel(s) directly after you created your own account at the video sharing website.

I upload all my videos to either my SACRELEASES channel or my CARSTENSVLOG CirqueDuSoleilGuru channel on YouTube.com. You can find links to the profiles and feeds at other video sharing websites on this page, among the links to other social networks and webmaster forums where I have an account.

I do not publish ALL of my videos to the other online video sites. I try as much as I can, but there are several problems that make this task not as easy as I would like to plus some videos are taken down (or not up in the first place) by some of the sites. I don't want to get into this debate about those problems here and now. I plan to deal with the subject in great detail one other day and at another blog.

Here is one video that I recently published and believe to be worthwhile to write about here at my blog. It contains Hoola Hoops circus performaces by various performers, some from Cirque du Soleil and others who are not involved with the Cirque at all. I edited it together from over a dozen individual video sources, which I also re-edited and cut prior putting them together again for this video.

The background music is the song "ANSI" by Logic Bomb from the DefCon 15 (Hacker Conference) Sampler "Extra Nanosecond" mixed by DJ Shadowvex, where I created the cover for last year. The song does not only have a cool name (ANSI hehe), but also fits the visuals very nicely.



Backup Link to Video at YouTube

I hope you like and enjoy the video. Just as a heads up. I did spend some time on the legacy of Dytec (Dynamic Technologies).

I created a tribute video, which is a remix of a lot of things about the German games cracking group where I had the pleasure to be its leader for the PC section for a while. There is more to come, so keep your eyes open :)



Backup Link to Video at YouTube

This video was a heck of a lot of work and consists of over 60 individual pieces of video, audio and images. The inspiration came from the dancing Lemmings animation and the background music by Pitty/Dytec.

This was actually the beta for a Dytec PC Intro/Demo project, which was never finished and never released. The Lemmings that dance to the techno beats of Pitty's oldskool Amiga Pro-Tracker module titled "Pitty in Concert" were very cool and funny and it is sad that nothing of it was released back in those old days. I hope that my tribute video will make up for this oversight a little bit.

Cheers!
Carsten aka Roy/SAC

Labels: , ,

New Cirque du Soleil Videos, A World Record and More Cirque

I produced a number of new Cirque du Soleil videos in the past few weeks, but did not get around until now to write another post.

I found some parts of the special Cirque performance titled "Reflections in Blue" (Réflexions de bleu), which was performed as part of the opening ceremonies for the XI. World Aquatics Championships FINA in Montreal, Canada on June 15, 2005.

I found recordings of two of the seven or eight parts (I am not sure about the actual number), the acts "The Mermaid" (La sirène) with Bolormaa Zorigtkhuyag that is similar to the water bowl contortion act in the Las Vegas Cirque show “Zumanity” and the act titled "Midnight Dancer" (Danseur de la nuit) with Anatoly Zalievsky, a very acrobatic act to the timeless music by Yanni.


Backup link to video at YouTube

Here are some interesting quick stats for this one-time performance:
  • The venue was three times the size of the KÀ theatre.
  • The swimming pool was made to look like the sea by lining it with a giant blue sheet that covered the bottom and the perimeter of the pool.
  • The projection screen at the back of the pool was 18 m (60') wide by 7 m (24') tall.
  • Over 200 volunteer performers took part in the show.
  • Three quarters of the participants were women.
  • The performers ranged in age from under 10 years old to over 50 years old.
  • Twenty-three cameras were used to shoot the performance for television.
  • Spectators played a role in the show by launching paper birds.
  • For the bungee (flying fish) act, a 53-metre (175-foot) crane extended out over the basin.
  • Some of the music for the show was taken from We Reinvent the Circus, Nouvelle Expérience, Alegría, La Nouba and "O".

Some Credits for the Creators and Featured Performers:
  • Director: Guy Caron and Fernand Rainville
  • Creator and Director of Creation: Lyn Heward
  • Costume Designer: François Barbeau
  • Set Designer: Jean-François Bouchard
  • Acrobatic Rigging Designer: Jacque Paquin
  • Music Composers: René Dupéré, Benoît Jutras, Violaine Corradi, Martin Lord Ferguson, Ella, Créations Méandres
  • Musical Directors: Martin Lord Ferguson and Ella
  • Choerographers: Denise Sauvé, Debbie Brown and Catherine Archambault
  • Projections Designer: Erick Villeneuve
  • Lighting Designer: Alain Lortie
  • Puppeteer: Michael Curry
  • Makeup Designer: Eleni Uarnis
  • Props Designer: Patricia Ruel
  • Featured performers : Sébastien Allard, Sam Alvarez, Zorigtkhuyag Bolormaa, Eliane Bonin, Mason Davis, Dessy Di Lauro, Sébastien Duval, Chantale Gallant, Akian Gaudette, Manon Gauthier, Charlyne Guay, Reda Guérinik, Ronnie le Grand, Isabelle Michon-Campbell, Isabela Moraes, Carolina Moraes, Patrick Paquette, Didier Pasquette, Laurence Racine-Choinière, Karl Sanft, Stéphane Verdie, Anatoly Zalievsky

I am currently searching for video recordings of the missing parts to create a video with the whole performance as I did in the past for several other special event performances by the Cirque. If you happen to know anybody who has a recording, please let me know.

Another Special Performance

I also found some snippets of the Cirque’s special performance on August 28, 2007 for the opening ceremony of the Venetian Macao Resort Hotel in Macau, China by the Las Vegas Sands Corporation (Sheldon Adelson), which will be the home of a new Cirque show later this year.

The Grand Opening for this new Cirque Du Soleil with the working title "Cosmos" or “Macau I” is scheduled for August 29, 2008. Here is an one minute clip of the performance.

Macao Special Performance 1 minute snippet.


Backup link to video at YouTube

The Cirque at the 2008 Grammy's

Cirque du Soleil's tribute to The Beatles "A Day In The Life" and Carol Wood and Timmy Mitchum (from "Across the Universe") performed "Let It Be" at the 50th Grammy Awards in Los Angeles, California on February 10th, 2008.

The performance includes music and artists from the popular Cirque du Soleil show The Beatles "Love", which is currently running at the Mirage Hotel and Casino in Las Vegas, Nevada.
You can see the whole video recording of the performance here.

Grammy Awards 2008 performance video.


Backup link to video at YouTube

World Record by Teenage Kooza Performers

And last but not least the Guinness World Record™ for the Highest Circus Act ever performed.

Natasha Patterson, Julie Bergez and Dasha Sovik, the tree teenage contortion artist of Cirque du Soleil's latest touring show "Kooza" set in September, 2007 a new Guinness World Record for the Highest Circus Act ever performed. I created a special video for that, which includes the performance by the three girls.


Backup link to video at YouTube

That's it for now, enough videos already. Four videos might cause already a problem for the browser of one or the other reader of this post.
Make sure that you check out my fresh updated Cirque du Soleil Primer with even more videos and other goodies.

Cheers!
Carsten aka Roy/SAC

Labels: ,

Criss Angel and Cirque du Soleil - "Believe"

Just two days ago Criss Angel announced the official name for his new show, a partnership project with Cirque du Soleil.

The show will premiere on September 12, 2008 at the Luxor hotel and casino in Las Vegas, Nevada.

The name of the show will be "Believe".

Watch the video of Criss Angel where he annouces the title of the show and why he choose this title below.



Backup link to video at YouTube.com.

Also announced was the contest "See It to Believe It!", which is free to enter for anybody, running from April 17th to June 14th, 2008.

The Grand Prize includes:
  • Round trip economy airfare for two;
  • 2 premium seats to the Gala Premiere of Believe on September 12, 2008;
  • 2 nights in a Pyramid Spa Suite at the Luxor;
  • The opportunity to meet Criss Angel in person;
  • Access to the private premiere after-party;
  • US $ 500 cash spending money.
Visit CirqueDuSoleil.com/CrissAngel for show details and to enter the contest.

About "Believe"
CRISS ANGEL Believe™ will be a haunting exploration deep inside the inventive mind of mystifier Criss Angel as he hovers between the land of the living and a surreal world uniquely woven together by the distinctive imaginations of Criss Angel and Cirque du Soleil.

Unlike traditional magic-themed shows, CRISS ANGEL Believe™ transcends any preconceived notion of what it means to be emotionally engaged by the arts of mysticism and illusion. Imagine a fantasy, an allegory, a highly theatrical tableau of mood, reverie and emotion set against a backdrop of dreamlike darkness and light.

Criss Angel stars as a surreal, enigmatic Victorian Noble. Along a path of imaginative exploration, he encounters Kayala and Crimson, two women who represent different aspects of femininity, four bizarre Ushers, who will introduce the audience to the baroque theater of Criss’s mind and a high-energy troupe of characters and dancers who mix a multitude of styles into a high-energy visual feast, punctuated by moments of grace and sensuality.

The stunning illusions in CRISS ANGEL Believe™ will not be presented as standalone elements, but as interdependent components using heightened imagery, fantastical creatures and impossible feats of legerdemain, all of which will be integrated into the dazzling, colorful fabric of the story.

Remarks
If you don't know who Criss Angel is, check out the videos here.

I was mentioning the upcoming show already several months ago and I am really looking forward to this new show. The mix of magic and arcobatic will be interesting to watch. If you are not familar with Cirque du Soleil, check out my Cirque primer.

Cheers!
Carsten aka Roy/SAC

Labels: , ,

Cirque du Soleil's KA Extreme and Delirium Videos

I finally got around to work with the last of the Cirque du Soleil documentary/making of DVD's, "KA Extreme". I got almost 10 minutes of show footage out of it, about as much as I got out of "Lovesick", the DVD to Zumanity, a bit more than I got out of the Kooza DVD "A thrilling ride through Kooza", but a lot less than from "Flow", the "O" tribute and "The mystery of Mystere" where I was able to get 20 or even close to 30 minutes of actual show footage out of the DVDs.

The audio for this video was taken mostly from the official soundtrack of "KA", which is like the DVD "KA Extreme", available at the Cirque du Soleil stores online and offline.



Backup link to video at YouTube.

While the following video for the Cirque du Soleil arena show "Delirium" is not based on a DVD (because there is none), so is it still over 6 minutes in length and consists of various snippets of content that I found at various places on the internet. Some sources were official Cirque ones, others were not.



Backup link to video at YouTube.

That's it, now I have to wait for new releases on DVD or other sources of quality video footage from Cirque du Soleil shows. Well, there are a few more shows coming this year, so I probably do not have to worry too much :).

Btw. If you like the videos, but never watched a Cirque du Soleil show live, I can only encourage you to spend the money at least once and watch a Cirque du Soleil show in person.

No video can capture the actual show experience. This is no joke, Cirque du Soleil shows are infamous for having several things going on at the same time. Even a very good multi angle DVD recording of one of their shows does not (for the once where they have multi angle recordings of the show on DVD, see my Cirque primer) and will never not get the same experience across as if you would be sitting in the venue with all the others to enjoy (and maybe even interact with) the show.

For more content and information to Cirque du Soleil, visit http://RoySAC.com/cirque, which redirects to my very comprehensive Cirque du Soleil primer article that I wrote not very long ago. I created the alternative URL, because it is easier to remember than the full URL to the actual blog post.

Enjoy the videos! Cheers!
Carsten aka Roy/SAC

Labels: , ,

Special Cirque du Soleil Zumanity Videos and more

I mentioned in a post of mine from January, where I posted special Cirque du Soleil videos for the shows "O", "Mystere" and "Kooza" that I am going to create some special videos for "KA" and "Zumanity" as well.

I have not been able to get around yet to work on the video for "KA", but finished the two (yep, not one) videos for Zumanity based on the DVD documentary "Love Sick". I decided to make two videos out of it, because I though that it would not make sense to mix the two togther. It would have been hard and probably not create a video that would have been better than the individual two.

The first preview required the most editing work on my part and uses for some sections music from the official Zumanity soundtrack in order to be able to connect several video snippets together and still make them seem like a whole. It's still almost 8 1/2 minutes long and is the video that contains the most live action from the show itself.



Direct Link to Video on YouTube

The second video is almost 8 minutes long and consists of a long trailer by the Cirque itself and a nice slideshow, that was part of the bounus features of the "Love Sick" DVD.



Direct Link to Video on YouTube

I have seen the show twice already. The second time was slightly different than the first time, because many of the performers were replaced. I guess the main crew had vacation or something like that hehe. Although any Cirque du Soleil show has repeat view qualities, were those changes to my first experience very exciting for me, because I was not able to predict what will happen next in the show.

To watch the show yourself, life at the New York, New York hotel and casino, get tickets online here. The documentary DVD "Love Sick" is very good as well and interesting not only because of its snapshots of the actual show. You can get the DVD from Amazon here.

For more stuff Cirque du Soleil, make sure to check out my Cirque du Soleil primer and my old post that describes in greater detail most of the available DVDs that are available for purchase at large retailers.

The Cirque Goes Rock'n Roll
Another quick note on the side. I just stumbled a few days ago over a performance of the Cirque that I have not even heard of before. It was not publicized very much. It was also not posted at the Cirque's website (including the Cirque Club Member section or Press Section (where I do have access to as well) for that matter). They had a short performance together with the rock band Apocaliptica last November in Buenos Aires, Argentina for Eurovision. It's odd that they never mentioned it, but then, the performance might not be perfect for everybody. If you don't like Metal and Hard Rock at all, you will NOT like this video.

Here is the full video of that 8 1/2 minutes performance.



Direct Link to Video on YouTube

I hope you enjoy it.

Cheers!
Carsten aka Roy/SAC

Labels: ,

The Demoscene Came a Long Way

Boy, the demoscene came a long way since their humble beginnings in the early 1980s on archaic computers like the Apple II, Atari 800 and especially the Commodore 64 and later the Commodore Amiga 500.

If you want to learn more about the old days and stuff like that, check out my post about the history of the demoscene that I wrote about one month ago. My older post "Introduction to the World of Demos" is also fairly interesting IMO.

Well, the examples from my previous posts may be nice, but things improved a lot since those days. A very good example is the winner demo from last years Assembly demo party in Finland called "Lifeforce", created by Andromeda Software Development or short ASD or Andromeda.

I uploaded the demo to several sites, including Facebook. I am an Internet marketer and that is how I make my living. I have naturally many Facebook friends, who are also in advertising and marketing.

One of them watched the demo and left a comment, asking me, which "Agency" this "Video" created. I had to educate him that his "Agency" is a bunch of high school or maybe college kids from somewhere in Europe and that the "Video" is actually a program that creates all the visuals and stuff in real-time... and in a much higher resolution than you can see on YouTube, which only has a crappy 320x240 resolution for all their videos.

Too bad that I was not able to see his face, but it must have been quite a shock to learn these facts hehe, but I can't blame him for his thought, the demo is just amazing and you really cannot tell that this is NOT the work of professionals.

But now I will stop writing and let you enjoy the demo for yourself, in crappy 320x240, but you can go and download the demo yourself and run it on your PC in whatever resolution suits you.


Backup link to the video on YouTube


I hope you enjoy it as much as I did.

Cheers!
Carsten aka Roy/SAC

Labels: ,

Major Windows XP and Microsoft Media Player 11 Rant.. plus some tips

I wasted today and in the past months a lot of time on solving a problem that is actually very simple and if you would believe the advertisements than there shouldn't be a problem at all or a simple solution right around the corner. Well, that is obviously not the case.

Lets start with an explanation of what am I trying to accomplish.

Part 1. The Simple Idea
I have multiple computers in a home network. They all see each other and permission are set that each computer can access resources and data on each of the other ones.


I also have a lot of media data. Music, Videos, Clip arts, Foley Sounds, Video Snippets etc. I converted most of my 300+ CDs to MP3's, but only converted a fraction of my 200+ DVDs for several reasons. Anyhow, what I already have is a lot and nothing that I could copy from A to B with a thumb drive or USB stick. I also don't want to have all those GB of data on each computer (which would not fit and does not make sense).

No problem, you can buy for a fair price something called Network-Attached Storage Devices, which are basically hard drives in a smart external casing that allows not only access to them via USB 2.0 or Fire-wire, but to hook them up into the network and make them visible via network share to any other computer in the same SUB-C class network, if it authenticates itself properly. Well done, now I have a nice network storage and all the data on it. I can browse it and play individual stuff.

Now I wanted to do the easy part (so I thought), creating a library with all that stuff in it. Nicely updated with the Meta Data that are already in the files themselves or from one of the large media databases on the Internet. Get the Album art for great looks, categorize stuff and can apply nice filters like "Show me all songs from artist XYZ that I have" or "Show me all the movies by director ABC".

Part 2. It Smells Like Trouble
Okay, there was one tricky part that I was aware of, the various video formats and also the increasing number of audio formats that compete with MP3. While the "Codec" world is still a mess, is it still possible to get a solution. I was able to manage to teach my computer to play back virtually any media format that I threw at it. It took some searching and digging sometimes, but it is out there.

There are various players that work great, but only few offer a good library option. Most are limited to play-lists. Well, some developers rather spend time on the ability to change the "skin" and every single optical aspect of the player by the user than provide stuff that is actually useful, but there is obviously a market out there that proves them right and that this is the way were money is to be made (at least from a financial point of view).

If you start adding DRM protected content to the mix or live streaming, the options regarding players which can play back everything and also offers a decent library feature is becoming rather small.

Actually it seems that it is almost impossible to get stuff to work without Windows Media player being involved at some point. The latest installment is Version 11 and the only improvement that I found so far is the looks of it. In almost any other aspect did the user lose something that wasn't trivial, but very important, only not used on a daily basis. With Microsoft Vista is only WMP 11 available and for XP users is it also getting harder and harder not to be forced to an upgrade from version 9 or 10 up to 11.

Well, lets say that I am stuck at this point with Media Player 11 and try ever since I started my project to make things work, only with marginal success to this date, unfortunately. I learned a lot of crap that I don't care about and didn't wanted to know about either, because it did not have to do with my problem and what I tried to accomplish. Only because you want to watch a European movie on your American TV, do you not know and learn what FPS, the unit of frequency that is equal to one cycle per second (Hertz), number of DOTs on the screen and stuff like that, right? I mean you just want to watch the freaking movie that you heard about or saw during your last trip to Europe and a friends house or movie theatre. Oh, if you want to know though, be my guest.

Lets start talking about the issues one by one.

Part 3. It Does Not Only Smell like ... It Actually Is ...
1st WMP 11 does not like network shares very much, also not the ones that are mapped to a local drive letter and reconnected to again, every time the computer is started. With XP is it possible to specify a mapped drive as path and WMP 11 automatically changes the drive letter to the path using the network share instead.

For example "Z:\My-Media\" on "Computer-A", which is share "Shared-Music" on "Computer-B" mapped as "Z:" will be changed to "\\Computer-B\Shared-Music\My-Media\".

This does not work so well under Vista from what I have heard and the solution some guys came up with sounded very similar to the one that I came up with myself for different reasons. More to that in a second. Okay, WMP 11 on Windows XP is always indexing your stuff using the network share. This might be better, if you do not map the share all the time to your computer, because Media Player would still be able to access the files from your library, as long as it can see the other computer in the network, but you cannot move the storage locations around or change the name of it, even if you mapped the drive to the same local drive letter and have the exact same file structure as on the previous storage location. The option to use either or would be the best for not only this simple reason, but others as well, which are much more severe.

The problem with WMP storing the network location instead of the local drive letter are that in some cases WMP can't playback videos with certain codec over the network share (\\share\) and in other cases is it able to play back, but the "seeking" does not work (WMV files). Both of those type of video files play back fine in WMP, if I browse to them via Windows Explorer and say "play with" and select Media Player, because it uses in that case the drive letters where I mapped the network shares to.

I found this MS Knowledge base article regarding this issue with the Intel Indeo video codec, which is the most severe, because the play back via opening it with a network path as reference does not work at all, WMP shows an error that does not make sense and that's it.

However I got also other issues with videos that were encoded with TMPGEnc MPEG-1 video codec and MPEG-1 Audio Layer 2 audio codec for example. The "seek" function does not work, but it works fine again, when opened via browsing the mapped drive and opening it from there.
Lets start talking about the issues one by one.

Part 4. A Solution that Creates Another Problem, Thanks You
Microsoft's recommendation is to not use a network drive (which is out of the question) or to convert all those videos to a different format using a codec that does not have these kind of issues. Fine, I would like to do that in one afternoon or over night in a batch job. So give me the list with all videos that were encoded with those codecs and I will use a converter that I bought in a bundle with other nice tools to convert it to something of your liking. Oh, you can't tell me... that's ... "inconvenient". No, I did not look through the library one by one yet, because I also have other things to do than sorting data by hand in an excel spread sheet. Oh, Excel has a sort and a filter option.. sorry guys, nothing against you (today).

So I thought to myself what happens, if I can get Media Player somehow to index files with the local drive letter instead of the network path. The add to library interface converts automatically local letters to network paths, but what happens if I change it back to the letters where Media Player stores to remember the paths it should crawl and check for new media files.

Part 5. You can't Trust ... Didn't Do Yourself
I found something. Search the registry (click "start", "run" and enter "Regedit.exe" , then press CTRL-F or F3) for "TrackFoldersDirectories" (it's different in Vista. See comments of users at this forum thread for details and info)

It should find a match like this (note: the search might run a while, depending on your computer and what you have on it).
HKEY_USERS\[s-some big numbers-dashes]\
Software\Microsoft\MediaPlayer\Preferences\TrackFoldersDirectories
(line-break added for editorial reasons)

That value should contain as data a simple number. This number should be the number of folders that you configured to be scanned by WMP minus 1. So if you told WMP to check 10 directory locations where it should look for files, the data for "TrackFoldersDirectories" should say "9". There are circumstances where it does not match and shows a larger number, but that is nothing to get worried about.
Under the same key "Preferences" should you also find Values like TrackFoldersDirectories0, TrackFoldersDirectories1, TrackFoldersDirectories2 .... TrackFoldersDirectoriesXX. Each of them should be string and have as data one of the directory locations the library should check. If there are some that are empty, this would explain why the data for TrackFoldersDirectories shows a higher figure than the number of directories that you actually specified. "TrackFoldersDirectories" simply states what the highest value is for X as in "TrackFoldersDirectoriesX". It starts with "0", which explains why the number is less than the actual directory count. It seems that Media Player expects to find values from 0 to the data value of "TrackFoldersDirectories" in the registry. TrackFoldersDirectories = 4 would mean that you have to have entries for:

TrackFoldersDirectories0 = C:\DIR1
TrackFoldersDirectories1 = C:\DIR2
TrackFoldersDirectories2
TrackFoldersDirectories3
TrackFoldersDirectories4
TrackFoldersDirectories5 = \\computer\share\DIR3

Even if you only have 3 directories specified as in my example, but TrackFoldersDirectories shows 4 (=5 records), all 5 records must be there, even if they have no value. Just as a heads up, if you are going to mess with them as I did. I did exactly that, changed all paths etc. and WMP started indexing nicely files with z:\ etc.

Part 6. WTF?
Then it started to fall back to the same old behavior again and the network share names started to appear again. When I removed the files that were wrong (and for the most part duplicate) I killed (or WMP did) too much entries and lost some good ones. Media Player won't index some of the files for the sake of it, even though I specified that it should re-add files that were previously removed. I guess only a full rebuild will work. See: Rebuilding your Library after WMP 11 f*cked it up.

The odd thing is that when I click on "Add Folders" to see if WMP changed my z:\ settings back to the \\share one is that it still shows z:\ for the folder destinations to search in.

I contacted Microsoft about all this, but they didn't even know what I am talking about and played stupid. I even sent them illustrations and a step by step explanation of the problem with links to their various own articles that point out some of the issues, but offer no solution (convert stuff, don't create a centralized media archive with a network storage in a local network to be shared between your computers at home... yeah right).

Part 7. Enough is Enough
What ticks me of the most is the lack of the basic option to say "Add THIS file to my god damn library .. NOW!" Here is the Genre, Artist, Composer, Release year or whatever.. just go and add it. If I could do that with multiple files that would even be better or how about the content of a play-list? There it takes the local drive path all by itself, if loaded from the mapped drive via Windows Explorer. It stores the Network path, if you add it with Explorer from a network path. tsts. Well, this issue is still unsolved, but I was getting new ones during my quest to create centralized library.

I found this post, which explains how to get WMP 11 to create its library files on a removable storage device.

Now I got the idea that I want to move my library to the network as well to avoid the need that each computer has to index and monitor the same stuff. All have the same network shares mapped to the same drive = all paths are the same, but I am not so certain yet, what WMP says if he (maybe) realizes that his library files reside on a network share that is mapped to local drive letter Z: :)

Part 8. Drops of Water in the Desert
I got my Media-player to be able to play back .MOV and .FLV files what made me very happy. You can find links with details and downloads at the end of this post.

Now I have the problem how I can tell this stupid Library to add them to itself, because it still thinks that it cannot do anything with it... the player does, but the two do not seem to talk to each other very often or at least not very clearly.

Part 9. Swiped by a Sandstorm
You cannot backup DRM licences with WMP11, which is also great. I had to reinstall my laptop because of some other Windows "features" and could not save the licences. I did fortunately not buy anything from Google Video, my vendor is still in business, however, I can now go and contact him to get licences again for every single file. I think its two vendors, but I will find out once I played all files at least once to see who I have to contact because of a missing licence that I bought 2 years ago on some website.

Part 10. Radical Changes are in Order
I am seriously looking for practical alternatives to WMP, something that can handle large amounts of audio and video (I own a lot and converted all into digital format and mostly purchase stuff only in digital format now), it also must support the various video formats or must be expandable to add the support via plug in (AVI, MP3, MPEG, WMV, ASF, MOV, FLI, DIVX, WMA, WAV and now also the new RAT format) and last but not least be able to handle all this DRM bs. I started to look for unprotected versions of my stuff to be able to actually use it without the need to contact people, convince (proof) to them that I actually purchased the stuff to them get the honor again to watch or listen to what I actually paid for.

This is unacceptable and big time bull!

I started 16 years ago with MS DOS 5.0 and after all those years am I hearing that things get easier. This is simply not true. Back then I could fix stuff myself. This is today impossible, even as advanced user. It's a full time job to keep up with everything that can go wrong. The booming video/audio space is worse than most others and the current workarounds and tricks used by manufacturer to make it somewhat work is to sacrifice security and broadcast all your stuff virtually publicly to anybody who knocks on the door and asks for it. If you are "lucky" then they even let anybody "in" and take a stroll across your network and peek into your stuff on your computers.

Part 11. I Did NOT Trade Satan for the Devil
p.s. I use XP and and did not switch to the heap of bugs and junk called Vista, so the share your videos does not work.. well I can share with anybody but myself, because WMP 11 on XP is unable to access other shares. That works "great" if you have three computers with Windows XP pro and WMP 11 on them.. doesn't it.

Part 12. Apologies
Sorry for the rant. It feels much better now. I just had it. I spent obviously too much time on trying to find a solution for a relatively simple issue. The non-existence has nothing to do with "too complicated" or "too exotic", the Internet is full of forum threads that end nowhere a real solution. The missing options are because of greed and to protect businesses from "pirates".. the irony with that is that it only makes paying customers mad and turn to pirates to get fixes for the things that were artificially broken.

Part 13. Some Band-Aid for the Open Wounds
Okay, I will finish this (looong) post with something good, a list of very useful tools and resources to windows, codecs and windows media player.

Cheers!

Carsten aka Roy/SAC

Update 2/16/2008: I started working on the move of the Media Player library to a network location and share it between my computers. I found out the hard way, that there is by default no reference anywhere, including the registry, about the location of the media library. Media Player must look for the hard coded location "(User Directory*)\Local Settings\Application Data\Microsoft\Media Player\CurrentDatabase_360.wmdb". The user directory is usually "c:\documents and settings\(username)"".

I found this interesting thread at a user forum, which first started to talk about how to speed up media player, but then became a discussion about the media player library in general. Along the way did I learn about a useful tool called Link Magic to create so called "Junctions" in NTFS (basically mounting a directory to another directoy). I also learned that you can (and how) create Mount Points instead of Junctions to get a similar effect from the disk manager of windows itself.

All that was not a good thing to mess around with when it came to moving the library to a network share.I already feared to reach another dead end, but then came the posr that saved my day. You can change the path of the library by adding an undocumented string value to the Windows Registry.

Open RegEdit and go to
HKEY_CURRENT_USER\Software\Microsoft\MediaPlayer\Preferences
Create a new String Value called "LibraryDatabasePath" and then open it to specify the location of the library. I simply entered the local drive, which is a mapped network share on the machine and sub directory that I created for the shared libary. I copied into that folder the local Media Player library of another computer and moved my local one to somewhere else to make sure that Media Player cannot find it.

When I started Media Player, it did really load the library from the network drive. Now I have to check how it behaves if I do the same with a second and later on a third computer. Multiple people accessing the same library might cause issues. To keep the potential problems to a minimum I will probably disable the check for new media files on all but one of the machines who will be designated as the sole indexer of new content for the library and then take it from there.

Labels: , ,

Cirque du Soleil Primer









I wrote over one year ago already a pretty long post about the various Cirque du Soleil shows. However, I missed a number of interesting information, including some shows. Some other stuff was also simply not available back then. I have a lot of nice little gems in this new post about the Cirque.

Note: I am keeping the post updated with new developments and show updates. Bookmark this page and check back from time to time.

I have for example a lot more videos with actual show footage from shows where no DVD is available yet. I also not talking about short teasers that are 1-3 minutes long, no no, this time I have much better stuff.

If you read my blog in the past you would already know about them, because I was mention those special videos on a couple occasions already, like here and here. I provided in those posts a bit more background information about the videos itself, so it is worthwhile to check them out too.

Okay, let's get rolling. Here is a little video for starters. It is only a few minutes long and titled "Cirque Du Soleil Now and Then - 1984 to 2007". It is a brief history of Cirque Du Soleil, its very compressed, no talking. Well, if you have to cover 23 years of history in about 3 1/2 minutes time, you have to stick to the stuff that is most important ;).

From the humble beginnings in Baie-Saint-Paul, Quebec (Canada) in 1984 to the world wide fame and multi-billion dollars enterprise of today in 2007, the shows, the people and the entertainment.



Backup link to video at YouTube.com

Cirque du Soleil on DVD

Many of the Cirque's shows are available on DVD, especially the older touring shows. They also created some stuff for television and for IMAX theaters, which is also available on DVD today.

The DVDs are not a substitute for a real life show experience, but some folks did not have the opportunity to see the Cirque at all and the DVDs do a good job to give you an idea of what to expect.

I added links to online stores next to each show or special performance if there are DVD recordings, soundtracks on Compact Disc (CD) and/or tickets to the live show available. Some of those links are affiliate links, which means that I will earn a few cents if you ue my link to purchase the item. If you like my content and want to show your appreciation, just use the links provided here, if you decide to buy anything that I mentioned.

I also included links to online videos on video sharing websites, such as YouTube and Google Video, especially for the shows and special one-time performances where no DVD recording exists.

Here is a video trailer for the Cirque du Soleil DVDs. Very short and nicely edited. If you are not familar with the Cirque at all, I promise that you will enjoy the videos. Cheers!



Backup link to video at Google Video.


Cirque Du Soleil - Anniversary Collection, 1984-2005

Almost the entire Cirque du Soleil show collection in one set for a price of just a bit over $10 per DVD, that's less than half the price of what you would pay for the included DVDs, if you would purchase each of them individually. A great gift for a friend and a perfect starter kit for your own Cirque collection.

12 DVDs, Region Code 1 (USA and Canada), Note: some of the DVDs are RCE encoded, which means that they do not work with region code free DVD players.

Included in this package are the following Cirque du Soleil shows, special performances and documentaries: La Magie Continue (1986); Cirque Reinvente (1989); Nouvelle Experience (1991); Saltimbanco (1994), the 1994 documentary retrospective A Baroque Odyssey; the Amsterdam-set Quidam (1999); Allegria (1999), the live Sydney show; the Chinese-influenced Dralion (2000), in its standard, non-Superbit release; the relatively short IMAX film Journey of Man (2002); Varekai (2002), from Toronto; La Nouba (2003), from Walt Disney World; and Midnight Sun, strikingly staged outdoors at the 2004 Montreal International Jazz Festival.

The only Show available on DVD that is not included in this collection is the "Corteo" DVD, which was released after this anniversary collection.

The only other stuff left on DVD that is not part of the pack are the TV productions ("Alegria - The Movie", "Solstrom - The Series"), the documentary DVDs for the Las Vegas resident shows ("Flow", "KA Extreme", "The Mystery of Mystere", "Lovesick"), the 3 DVDs documentary "The Fire Within" and the latest touring show Kooza ("A Thrilling Ride Through Kooza").


Cirque du Soleil Touring Shows

LeGrand Tour du Cirque du Soleil (1984-85, 16.Jun 1984, Gaspe, 14.May 1985, Montreal) - Director: Franco Dragone
This show was more like classic circus. I am not aware of any recordings of it.
La Magie Continue/The Magic Continues (1986, 20.Apr 1986/18.May 1986, Sherebrook) - Director: Franco Dragone
Buy the DVD
Cirque Reinvente/We Reinvent the Circus (1987-1990, 07.May 1987, La Salle) - Director: Franco Dragone
Buy it on DVD - soundtrack
Nouvelle Expérience/A New Experience (1990-93, 8.May 1990, Montreal) - Director: Franco Dragone
Buy it on DVD or here - soundtrack
Saltimbanco (1992-2006, 23.Apr 1992, Montreal) - Director: Franco Dragone
Buy it on DVD - soundtrack
Fascination (1992, 22.May 1992, Tokyo) - Director: Roger Parent
Only toured in Japan. Acts were a mix of Le Cirque Réinventé and Nouvelle Expérience, but all new costumes and arranged by a new director. It ran 118 times between May and September of 1992 and no video recording was ever published publically.
Alegría (1994-..., 21.Apr 1994, Montreal) - Director: Franco Dragone
Buy it on DVD - soundtrack - Get Tickets
Quidam (1996-..., 23.Apr 1996, Montreal) - Director: Franco Dragone
Buy it on DVD - soundtrack - Get Tickets
Dralion (1999-..., 22.Apr 1999, Montreal) - Director: Guy Caron
Buy it on DVD - soundtrack - Get Tickets
Varekai (2002-..., 24.Apr 2002, Montreal) - Director: Dominic Champagne
6 min video: Ikarian Games Act
Buy it on DVD - soundtrack -